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Vintage Views on Vinyl – Bodega Bay

Remember Alfred Hitchcock’s “The Birds”? The newest addition to my vinyl historical records is a sticker that serves as a “Tippi”-of-the-hat to Alfred Hitchcock’s ornithological horror film. Many might be surprised to learn that the origin of “The Birds’” dates back to the mysterious bird deaths that plagued the sleepy hamlet of Capitola, California in 1961. In the early hours on that fateful Friday, August 18, a flight of sooty shearwaters (Ardenna grisea) returning landward instead crashed into buildings between Pleasure Point and Rio del Mar in an event that was later described as “a rain of birds.” This freak occurrence has since been attributed to domoic acid poisoning (amnesic shellfish poisoning) produced by phytoplankton, or more specifically, marine plants known as diatoms. These bird deaths were tapped by Hitchcock as further inspiration for his angry bird adaptation of Daphne de Maurier’s 1952 novella The Birds to the big screen, set instead farther north in California’s foggy-trodden Bodega Bay.

I’m excited to add Bodega Bay (= “The Birds”) to the growing number of vintage images of California and Western States accumulated in association with the Vintage Views: Mount Diablo project I’ve undertaken with my wife (see Sarah Anne Photography).

Now, through the (bio)accumulation Etsy storefront, you can own these vintage views of the Western States as 3.5X3.5 vinyl stickers.

 

Vinyl Stickers
These 3.5″ x 3.5″ stickers are printed on premium vinyl with a permanent adhesive and are coated with a protective matte laminate that makes it durable and resistant to fading, scratching, tearing, and water. They are designed for outdoor use, and can withstand exposure to wind, rain, and sunlight, and can be run safely through a dishwasher.

Stick them to your bumper or car window, reusable water bottle, snowboard, skateboard, or bicycle… your options are limitless!

Price: $5.00

To see the other vintage art available to date, visit: https://www.etsy.com/shop/bioaccumulation

 

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The Wildlife Confessional – Crowdfund Campaign Underway

image003I am excited to announce that The Wildlife Society – Western Section’s long-simmering  The Wildlife Confessional anthology, a collection of short stories by dyed-in-the-wool wildlife biologists like myself, is now being crowdfunded for publication through the publishing house Inkshares:

https://www.inkshares.com/books/the-wildlife-confessional-an-anthology-of-stories

The anthology is a collection of fifteen stories by thirteen biologists, including published authors Thomas A. Roberts (Painting the Cows, Adventures in Conservation; reviewed here), Marcy Cottrell Houle (Wings for my Flight, One City’s Wilderness, The Prairie Keepers), and J. Drew Lanham (The Home Place: Memoirs of a Colored Man’s Love Affair with Nature), plus a memoir of the late Dr. Charles Jonkel, co-founder of the Great Bear Foundation.

The authors whose stories have been collected there represent men and women from all walks of wildlife biology – State and Federal biologists, consultants, students, professors, interns – and take place across North and Central America, from the Gulf of Alaska to San Ignacio, Belize, from the tropics of the Hawaiian Islands to the deserts of Arizona, and in the desert springs, coastal bluffs, national parks, stock ponds, pick-up trucks, traplines, doctor’s offices, roof tops, outhouses, and bombing ranges scattered everywhere in between.

This anthology is a labor of love. One of the primary reasons the authors and editors behind The Wildlife Confessional have undertaken this project is to educate and attract students to enter the field of wildlife biology and to apply money raised through book sales to support student involvement in The Wildlife Society by funding scholarships, grants, and training opportunities.

Pre-sales are underway to crowdfund the project at a cover price of $20 paperback / $10 ebook.

You can also follow the project on Facebook at:

https://www.facebook.com/The-Wildlife-Confessional-1070767069681846/

 

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Herpetological Review: The Herpetological Art of Robert Cyril Stebbins

It has been some time since my last contribution to the Society for the Study of Amphibians and Reptiles‘ journal, Herpetological Review (see also SSAR’s facebook page), so I was honored when I was asked to contribute a retrospective on the late herpetologist and artist Dr. Robert (“Bob”) Cyril Stebbins (March 31, 1915—September 23, 2013) for the column, “Art in Herpetology.”

Hot off the presses in the second issue of the 2017 volume (page 472-473), The Herpetological Art of Robert Cyril Stebbins looks back at the life and career of a man whose contributions to the field of herpetology are still not only celebrated, but put to work on a daily basis as biologists young and old pick up their copy of Stebbins’ field guide, A Field Guide to Western Reptiles and Amphibians, and thumb through the pages to identify this or that lizard, check a species’ range, or compare a specimen to the carefully illustrated plates within.

In the process of preparing this piece, I had the opportunity to handle Dr. Stebbins field notebooks and original intricate illustrations at the Museum of Vertebrate Zoology and Bancroft Library, and had the pleasure of speaking with Professor Emeritus David B. Wake, former Director and Curator of Herpetology at the Museum of Vertebrate Zoology, and Theodore Papenfuss, research specialist at the Museum of Vertebrate Zoology, about their experience working alongside this venerable herpetologist. But nothing says more about Dr. Stebbins’ passion for herpetology than his artwork.

Full Citation: Bettelheim, Matthew P. 2017. Art in Herpetology: The Herpetological Art of Robert Cyril Stebbins. Herpetological Review 48(2): p 472-473.

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Vintage Views: California

It isn’t often that a portrait featuring people, rather than wildlife or scenery, becomes so emblematic of a place that it catches my eye. But such is the case in this 1938 cover of a fishmonger placing dungeness crabs into a steaming cauldron at Fisherman’s Wharf along the northern waterfront of San Francisco. The monger’s aplomb and pride, the fastidious order of his stall, and the pleasure evident in the couple who have taken pause amidst the noontime bustle of tailored men and tempted gulls crowding the market to snap a photo – this cinematic moment is nostalgia’s real McCoy.

This market moment marks another in the growing number of vintage images of California accumulated in association with the Vintage Views: Mount Diablo project I’ve undertaken with my wife (see Sarah Anne Photography). One by one, I have been carefully digitizing these assorted California ephemera to immortalize them on a more permanent medium.

Now, through the (bio)accumulation Etsy storefront, you can own your own Fisherman’s Wharf cover art, as well as other vintage views of California, as 12X18 inch wall art mounted on either Styrene suitable for matting and framing or infused directly into a sheet of aluminum metal to capture a sense of modern minimalism.

 

Metal Print
Metal prints are presented as a stand-alone image infused (printed) directly into a sheet of aluminum, providing a luminescent quality. The finished metal print includes a float-mount hanger affixed to the back of the image, floating the print ½ inch off the wall.
Price: $100

Styrene Mount Print
Styrene prints are mounted on white 2mm warp-resistant Styrene known for durability and strength. Styrene prints are ready to be matted and framed, or can be displayed on an easel.
Price: $45

To see all of the vintage wall art available to date, visit: https://www.etsy.com/shop/bioaccumulation

 

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Vintage Views: California

Bay-Bridge-1934-Standard-Oil-Bulletin_FINALSometimes majesty is found in the architecture of an environment, like the bridges that span the San Francisco Bay. Perhaps the most emblematic of those bridges are the Golden Gate Bridge and the San Francisco – Oakland Bay Bridge. Both of these architectural feats were constructed in the 1930’s and, although the eastern span of the San Francisco – Oakland Bay Bridge has since been replaced after sections were damaged during the 1989 Loma Prieta Earthquake, the Golden Gate still stands intact today. The Golden Gate Bridge, between the City of San Francisco and Marin County, was begun on January 5, 1933 and opened on May 27, 1937. The San Francisco–Oakland Bay Bridge (known locally as the Bay Bridge), between the City of San Francisco and Oakland and anchored in the middle by Yerba Buena Island, was begun in 1933 and opened on November 12, 1936. Before the bridges were built, residents crossed the bay via an Air Ferry (of Air Ferries, Ltd.), amphibious air crafts that bridged the San Francisco Bay between terminals in San Francisco and Oakland. Coming in under 7 minutes from shore to shore, such flights were considered to be the most frequent and shortest air service in the world. The air ferries would eventually become obsolete with the construction of the Bay Bridge in 1936.

To celebrate these sister bridges, I have added several additional vintage images of California accumulated in association with the Vintage Views: Mount Diablo project I’ve undertaken with my wife (see Sarah Anne Photography). One by one, I have been carefully digitizing these assorted California ephemera to immortalize them on a more permanent medium.

Now, through the (bio)accumulation Etsy storefront, you can own your own Golden Gate Bridge, San Francisco – Oakland Bay Bridge, and Yerba Buena Island cover art, as well as other vintage views of California, as 12X18 inch wall art mounted on either Styrene suitable for matting and framing or infused directly into a sheet of aluminum metal to capture a sense of modern minimalism.

 

Metal Print
Metal prints are presented as a stand-alone image infused (printed) directly into a sheet of aluminum, providing a luminescent quality. The finished metal print includes a float-mount hanger affixed to the back of the image, floating the print ½ inch off the wall.
Price: $100

Styrene Mount Print
Styrene prints are mounted on white 2mm warp-resistant Styrene known for durability and strength. Styrene prints are ready to be matted and framed, or can be displayed on an easel.
Price: $45

To see all of the vintage wall art available to date, visit: https://www.etsy.com/shop/bioaccumulation

 

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